Landscape into Land

Landscape and Western Art (201-223)

Land art blurs the distinction between what is land and what is art. It becomes even more difficult when the material used in the project is also the inspiration. Traditionally, there’s always been nature and then the artist’s interpretation. Throughout history, there has literally stood a wall between the landscape artist and his artwork, but since the 1960’s to present day, land artists have been increasingly ‘dirtying’ their hands and their galleries… 

As the sculptor Michael Heizer said, “Earth is the material with the most potential because it is the original source material” (203). In other words, landscape art is going back to its roots to mingle with the nature that inspired it. Many critics wonder how far will this line be drawn. Even artists have to differentiate between what used to be called ‘indoor’ and ‘outdoor’ to now having to call it ‘site’ versus ‘non-site’.

There are many different forms of land art so it stand that there are many types of artists. Some Earth artists consider themselves gardeners or sculptors because their installations are designed to be experienced with the surrounding environment. Some are filmmakers and photographers. Many artists like Andy Goldsworthy have made films about their creation processes so that their audiences can try to get a feel for work that went into it and also to see the art on a larger scale.

A lot of land art is associated with eco-friendly and environmental efforts. Many artists like Michael Snow think that nature and the wilderness will one day vanish. Snow believed the wilderness is by definition the absence of human interference. He wanted his work to show the beauty of what nature used to be so that in the future, when it might be gone, we will still have a record of it. “I want to convey a feeling of absolute aloneness, a kind of Goodbye to earth which I believe we are living through” (222).

Whenever we take a picture of a glacier, isn’t there a part of us that knows one day, in the future, we won’t be able to?

Defense & Ancient China

Designing the Earth (94-96, 113)

Chinese military and defense cannot be talked about without discussing the Great Wall of China. Built of stone, brick, rammed-earth, and wood, this series of fortifications spans across the historical northern border of China from east-to-west. It’s an engineering feat that is not only a work of ancient military prowess but also an amazing work of art.

The construction of the wall started in the third millennium B.C., and what started out as only 4 miles long and 30 feet high turned into and estimated 2,150 miles with additional branches of 1,780 miles. What most tourists think of when they imagine the Great Wall is the 400 mile stretch in the Yanshan Mountains from Beijing. 

The wall was built to keep the nomadic and Mongolian tribes in the North from invading. It has stood for thousands of years, but by the 1930’s when Japan invaded the Great Wall had finally became defenseless. Though it has lost its usefulness, the wall symbolically unifies eras and dynasties from China’s past. It is a testament for the use of natural resources and proves it by standing the test of time.

Modern Earth-Sheltered and Adobe Architecture

Designing the Earth (pages 44-51)

A real life hobbit dwelling? Or just modern adobe architecture?

Frank Lloyd Wright reinvented and revitalized the ancient practice of earth-pressing architecture in his turn-of-the-century designs. Wright used large sloping banks of dirt, also known as berms, to serve as both walls and insulation for his designs. Philip Johnson, another prominent architect, wedged his homes into the sides of hills. 

Both of these architects and their designs were not only primarily focused on the aesthetics of these projects but also their functionality. Particularly with the energy crises in the 1970’s and even today, these modern adobe structures more effectively used natural resources, both conserving nature and saving energy. 

Inspiration for this type of architecture can be found as far back as the Native American earth mounds and cave dwellings (discussed in a previous blog post). These designs are not only for the wealthy, but this “raw” type of construction is perfect for poverty-stricken countries. I love how the article points out: “Homo sapiens sapiens, after 100,000 years or so on the scene, is about to complete a full circle in the housing cycle” (51). 

 Personally, I would love to live in one of these homes. I cannot imagine to the extent these homes are environmentally and economically friendly! 

The Appalachians

How peculiar it is to see

These mountains shaped like knees.

There are no points or summits to speak of,

Only smooth slopes high up above.

Certainly not as tall as they once were,

It must have taken a long time to occur.

Their brothers to the west are massive,

But these Appalachians are passive.

Sometimes known for being blue,

They’re also known for moonshine too.

Having been through many wars,

They represent American shores.

They’re only rocks and trees,

But I’ll always be amazed when I see

These mountains shaped like knees.

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Not only looking at the land, but the sea as art as well.